Vol. 28 No. 68: Year XXVIII - 2014/2

• Presentation

  Beatriz Marocco

  60

  • PDF (Português (Brasil))

Dossiê: Narrativas midiáticas contemporâneas

• The triumph of the common man: modern salvation in the movie Armageddon

  Eduardo Martinelli Leal

  61-68

  • PDF (Português (Brasil))

• Continuities and approaches to the melodrama gender in televisual adaptation of Dom Casmurro

  Adriana Pierre Coca

  69-80

  • PDF (Português (Brasil))

• The discourse of journalistic review about Iberê Camargo in the year of the artist’s death

  Gisele Dotto Reginato, Isabel Leivas Waquil

  81-89

  • PDF (Português (Brasil))

• Thoughts on journalistic error in four reference news sites

  Lívia Vieira, Rogério Christofoletti

  90-100

  • PDF (Português (Brasil))

• Journalism in defense of lost causes: Antagonisms of the contemporary in the narrative report from Agência Pública

  César Raydan Diab, Reges Toni Schwaab

  101-116

  • PDF (Português (Brasil))

Articles

• Like, share, comment: facework, conversation and social networks on Facebook

  Raquel Recuero

  117-127

  • PDF (Português (Brasil))

• Shovelware, repurposing and transmedia logic in “Zero Hora”: communications contracts and convergence with digital media

  Vivian de Carvalho Belochio

  128-137

  • PDF (Português (Brasil))

• Internet as a vehicle of access to cinematographic works: evidence of piracy in the movie “Let The Right One In”

  Liana Gross Furini, Roberto Tietzmann

  138-144

  • PDF (Português (Brasil))

• Different goals, different appropriations? The use of Facebook by bottom-up initiatives of digital democracy in Brazil

  Maria Paula Almada e Silva, Graça Nascimento Penha Rossetto, Rodrigo Carreiro

  145-154

  • PDF (Português (Brasil))