Vol. 29 No. 71: Year XXIX - 2015/2

• Presentation

  Beatriz Marocco

  53

  • PDF (Português (Brasil))

Dossiê: Imagens

• Migrants images: The photographic document in contemporary art

  Sandra Maria Lúcia Pereira Gonçalves

  54-63

  • PDF (Português (Brasil))

• Crossing gazes: The various others in the movie Santiago

  Laura Wulff Schuch, Rosa Maria Bueno Fischer

  64-69

  • PDF (Português (Brasil))

• The interculturality in audiovisual language: estrangement, duplication, hybridization and finishing

  Júlio César David Ferreira, Henrique Evaldo Janzen

  70-78

  • PDF (Português (Brasil))

• Analysis of aspects of nonprogressive structure in film narrative

  Melissa Ribeiro de Almeida

  79-88

  • PDF (Português (Brasil))

• Carmen Miranda’s cinema: A movie analysis of Copacabana (1947)

  Rafael Jose Bona

  89-98

  • PDF (Português (Brasil))

• From the orchestra to the audiovisual: Intersemiotic translations of Beethoven’s ‘Pastorale’

  Cássio de Borba Lucas, Alexandre Rocha da Silva

  99-114

  • PDF (Português (Brasil))

Articles

• Actor-network-theory and practices of research: Notes on some uses in communication research

  Israel Jesus Rocha

  115-122

  • PDF (Português (Brasil))

• The Fall: John Peel and the northern airs

  Fabricio Silveira

  123-130

  • PDF (Português (Brasil))