Vol. 18 No. 1 (2016): January/April

• Presentation

  Adriana Amaral

  1-2

  • PDF (Português (Brasil))

• Self Portrait: The photography in performance

  Osmar Gonçalves dos Reis Filho, Isabelle de Morais

  3-13

  • PDF (Português (Brasil))

• That beloved Portuguese cinema: The critical reception of Tabu in Brazil

  Rafael Oliveira Carvalho

  14-21

  • PDF (Português (Brasil))

• Representations of the candomblé in a Tent of Miracles: The TV fiction and its symbologies

  Robéria Nádia Araújo Nascimento

  22-32

  • PDF (Português (Brasil))

• The communicative nature of culture: The Carimbó Party of São Benedito, Santarém Novo – Pará

  Gleidson Wirllen Bezerra Gomes, Fábio Fonseca de Castro

  33-43

  • PDF (Português (Brasil))

• The narrative’s knowledges in the Joe Sacco’s comics reportage

  Flávio Pinto Valle

  44-56

  • PDF (Português (Brasil))

• John Dewey, Walter Lippmann and Robert E. Park: dialogues about the public, public opinion and the importance of the press

  Daniel Reis Silva

  57-68

  • PDF (Português (Brasil))

• Data journalism: Concept and categories

  Leonardo Mancini, Fabio Vasconcellos

  69-82

  • PDF (Português (Brasil))

• Contributions and limitations of cultural studies to research on television reception on the “second screen”

  Melissa Ribeiro de Almeida

  83-95

  • PDF (Português (Brasil))

• The Maspoxavida Channel and the relationship between fans and microcelebrities on YouTube

  Lídia Raquel Maia, Maria das Graças Pinto Coelho

  96-106

  • PDF (Português (Brasil))

Book reviews

• Location-Based Mobile Games and the social, spatial and technological implications in contemporary communication practices

  Breno Maciel Souza Reis

  107-111

  • PDF (Português (Brasil))