Comments on YouTube about dissonant commercials
DOI:
https://doi.org/10.4013/fem.2014.163.06Abstract
The digital environment welcomes people from YouTube global territories and plural cultures generating interesting contemporary communicative practices about movies of all kinds. This study turns to the commercials “dissonance” in relation to traditional television advertising. The goal is to classify the events surrounding these films that received millions of views and thousands of comments. We use Katie Paine’s (2011) categorical research about the types of conversations in which people engage, divided into 27 different categories. Among the interesting results, we have seen that the most watched video does not receive the highest amount of comments and YouTube users do not use the site as a space for dialogue interaction between them. In addition, users resignify films in entertainment, since the main interest is focused on making jokes or irony in relation to humor failures that advertisers have committed.
Keywords: communication and innovation, YouTube, advertising, social media.
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