Sewing in the viscous space of network shared video: performative archiving of Natalie Bookchin

Authors

  • Ruy Cézar Campos Figueiredo Universidade do Estado do Rio de Janeiro

DOI:

https://doi.org/10.4013/fem.2019.213.05

Abstract

Natalie Bookchin’s practices since the 1990’s investigate network culture and are going to be highlighted in this paper to reflect on digital archive; on appropriation as a critical, artistic and popularly disseminated Internet gesture; on what the online sharing culture imply in terms of video’s conceptualization; and how the formal elements of her videos can be contextualized in discussions around practices with documentary in contemporary art.

Keywords: Youtube. Videoinstallation. Archive. Body. Network.

Author Biography

Ruy Cézar Campos Figueiredo, Universidade do Estado do Rio de Janeiro

Artista-pesquisador, doutorando em Tecnologias da Comunicação e Cultura na UERJ, Mestre em Artes e Processos de Criação: Poéticas Contemporâneas na UFC e Bacharel em Audiovisual e Novas Mídias na UNIFOR.

Downloads

Published

2019-10-03

Issue

Vol. 21 No. 3 (2019): September/December

Section

Articles

License

I grant the journal Fronteiras - estudos midiáticos the first publication of my article, licensed under Creative Commons Attribution license (which allows sharing of work, recognition of authorship and initial publication in this journal).

I confirm that my article is not being submitted to another publication and has not been published in its entirely on another journal. I take full responsibility for its originality and I will also claim responsibility for charges from claims by third parties concerning the authorship of the article.

I also agree that the manuscript will be submitted according to the journal’s publication rules described above.