O gênero apresentação de trabalho em eventos científicos do offline ao digital: que implicações textuais-discursivas possíveis?

Abstract

The present study aims to analyze how the digital environment has influenced the production of a specific genre: the paper presentation in scientific events. Thus, based on a brief overview of studies around the notion of genre (Voloschinov, 1997; Adam, 2001; Adam and Heidman, 2011, Marcuschi, 2008), we seek to point out to what extent this genre maintains or not its characteristics in the face of technodiscursive affordances (Paveau, 2017) in the online production mode. For this, we started by analyzing three presentations made during the Linguistweets event, organized by ABRALIN, on Twitter.  The analysis of the productions allowed us to trace a continuum of possibilities of appropriation of the technodiscursive potentialities afforded by the platform from two poles. One tends to maintain a more traditional model of this genre, and the other moves towards its updating. These emerge from the way the readwriters mobilize Twitter’s technodiscursive affordances. Thus, we verify, on the one hand, the maintenance of certain characteristics of offline presentations and, on the other hand, the production of multi/delinearized presentations, marked by relationality, by enunciative augmentation, by more horizontal and symmetrical dynamics, which characterize, therefore, the digital native discourses.