Concrete poetry for the sign language classroom
DOI:
https://doi.org/10.4013/cld.2020.181.07Abstract
Concrete poetry creates meaning by relying primarily on visual iconicity likewise sign languages (SLs). As they are visual-gestural languages, their modality allows a more transparent relation between the form of the sign and its meaning. Due to this common characteristic, the paper introduces the construction of SL literary material on the basis of the visual stimuli (mainly written) of concrete poetry. In this process, both languages (written and signed) are equal, since the reconstruction of the original text requires the close reading of their grammar and literary traditions.
Keywords: concrete poetry; sign language; philology.
Downloads
Published
How to Cite
Issue
Section
License
I grant the journal Calidoscópio the first publication of my article, licensed under Creative Commons Attribution license (which allows sharing of work, recognition of authorship and initial publication in this journal).
I confirm that my article is not being submitted to another publication and has not been published in its entirely on another journal. I take full responsibility for its originality and I will also claim responsibility for charges from claims by third parties concerning the authorship of the article.
I also agree that the manuscript will be submitted according to the journal’s publication rules described above.