The Handmaid's Tale and the cultural phenomenon of TV series
significações morais entre a distopia e a realidade
Abstract
This article sought to understand the aspects related to the current cultural phenomenon around television series, which evolves stylistic, structural, and diegetic characteristics, implying the success obtained by these productions, especially considering consolidation of streaming platforms. In this sense, the repercussions obtained by The Handmaid's Tale, a television adaptation based on the homonymous book by Margaret Atwood, served as an object of study to be analyzed. This essay is based on Cultural Studies of the television and TV series developed by Jost (2012), Williams (2016), and other academic researchers about this thematic. In addition, the role of audience interactions as “media active” people was also analyzed, due to digital social media that spread voices (Jenkins, 2008; Recueiro, 2009). As a result, the series began to dialogue more with viewers, seeking to absorb the complexity of reality and, consequently, narrowing the barriers between fiction and reality.
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